When Marvel first set about building their budding universe with Robert Downey Jr’s spectacularly sarcastic and snarky Iron Man back in 2008, they left their fellow competitors DC in their dust. And while Christopher Nolan delivered a gritty gamble with his Batman trilogy, Zack Snyder’s subsequent Superman attempts and David Ayer’s Suicide Squad (2016) proved no match for the mighty Disney megalith that is, quite frankly, taking over the filmic world. But it feels rather ironic now that DC’s big comeuppance to their foes is their first female-centric piece, directed by the talented Patty Jenkins. It’s funny, because while Marvel have huffed and puffed and blown every straw house down in their way, they themselves have still yet to deliver a standalone female-led film. And even more humorous, because their competitor’s instalment will be a damn hard one to beat.
Beginning on Themyscira - the home of the sword-wielding, horseback-riding Amazonian warrior woman - we are first introduced to Wonder Woman’s (2017) titular protagonist by way of Lilly Aspell’s eight-year-old version. Running away from school to spy upon the women training in combat, the intrepid young lady’s eagerness to fight and learn touchingly represents all the young girls who will gain more in life for having seen such a gender-defying film. And as Diana grows she battles hard, proving herself as Emily Carey’s pre-teen before transforming into Gal Gadot’s wide-eyed and glorious incarnation. But everything changes on the island when Chris Pine’s World War I pilot Steve Trevor crash lands, bringing the German enemy with him. With her head filled of stories of Greek Gods content on wreaking havoc, she defies her mother Hippolyta and seeks to leave with her new ‘above-average’ friend in search of Ares. All the while unbeknownst of her true status or power. Adjusting to life in England and on the Western Front, she then goes about proving – backed by a kickass score – that fighting injustice is more than simply slugging people in a super suit. It’s sacrifice and love, themes we women are all too familiar with. No wonder the film’s garnering critical acclaim.
A solid and scintillating dose of feminine power has, arguably, been a long time coming. From Halle Berry’s cringeworthy Catwoman (2004) to Jennifer Garner’s laughable Elektra (2005), girls have so far had little to look up to on the silver screen. Even Marvel’s Black Widow and Scarlet Witch have been relegated to side-acts. Thankfully Gadot’s Diana delivers, standing up to men not only by shoving her sword through them, but also declaring them cowards when they choose to sit safely at home and have others do their dirty work. Unafraid, unabashed and unassuming, she doesn’t hesitate to put men in their place, telling Trevor how the male sex is necessary for procreation, but not so much for pleasure. But perhaps the best moment of patriarchy-defiance, comes from a naked Chris Pine emerging from a steaming hot pool. Seemingly assured that the Amazonian fighter is looking at his unclothed frame, his is surprised to find she instead is far more interested in his wristwatch. For all you women out there - such subtle gender reversals are splendidly littered throughout.
As far as acting goes, Gal Gadot owns the role thanks to her beauty, poise and wildness. It says something for her that despite her obvious good looks and charming manner, she manages to deliver incredible emotion and humour, even when commenting on how ‘honourable’ an ice-cream can be. The mark of a true actor is to turn the smallest of scenes into a masterpiece, and Gadot does that with ease. She should be proud that little girls (and boys) will want to emulate her for years to come. As side-support goes, Pine provides his trademark affable comedy and gutso. And along with his rag-tag team of Said Taghmaoui’s Sameer, Ewen Bremner’s Charlie and Eugene Brave Rock’s the Chief, the boys help stand Diana in good company. The villains’ meanwhile lash on slopping’s of cliché, reminiscent of the Red Skull from Captain America: The First Avenger (2011). And while the script is largely tepid and lacklustre, the special effects help take it to the next level. Awash with graceful kinetic movements and ALL. THE. SLOW. MOTION, it’s just as beautiful to watch as its main star.
But for all the sexist stereotypes the movie overcomes, there are still moments that are painfully overlooked. For starters Diana is seen complaining about why a corset would ‘keep your tummy tucked in,’ just minutes before she runs into battle in a strapless, form fitting metal combination. Breasts on show, hair in place, heavy eyeliner prominent. The ideals of beauty are hard to get around and even in the first, proper female standalone superhero flick they abound aplenty. Then there’s the continuity errors to deal with. Like, why if Diana can defeat the God of War during modern society’s first great conflict does she exist in a universe where World War II, The Korean, Vietnam and Iraq War’s, as well as the impending doom of Justice League probably occur? There’s gimmick too, tucked away in the script, which breeds cliché even within its most sentimental moments. For as great as the idea that love is of course the answer, it would have been a far greater third act climax to avoid the predictable and instead delve into man’s psyche as a broken and troubled race.
If there is one thing to be taken from the film though, it is the impact it will have on the wide-eyed children growing up in today’s fractious society. The one filled with terrorists and bloodshed. The one where men who choose not to believe the facts presented them. The one where everyone is still telling women they are not equal. Not really. Not when it comes to filmic representations, wage gaps and success in the workplace. The one that calls them to be stronger than they have ever been before therefore to make a difference. It’s wonder-ful that, finally, they have a role model to aspire to. Not because of her incredible fighting prowess. Not because of her good looks. But because she is a woman, who chooses not to ignore the pain and suffering in the world. A woman who makes the word ‘feminine,’ something to be proud of.
Rating: 4 X-Factors out of 5
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