Deadpool 2 Review - Ready your chimichangas and dubstep because you're in for a rollicking round two
After unleashing the first R-Rated anti-hero picture to rave reviews and an unexpectedly large box-office, the idea of a sequel to Deadpool (2016) was less of a question and more of an obvious answer. Because while it would undoubtedly be a cash-grab for the studio, it would also satiate fans of what has come to be a rather unique genre. DC is dark, the MCU is friendly fun, and the X-Men are somewhere between. But until two years ago we were yet to see a foul-mouthed caped crusader ready and willing to push the boundaries in the name of comedy and action. And thank God they did, because audiences were delivered a rip-roaring time and some of the best meta fourth-wall breaks on film. But could a second coming really live up to the hype and the grandeur of the original? Well, for the most part yes, taking down as many other superhero movies and their clichés as it can in the process.
Where part one was billed as a violent, irreverent and unexpectedly romantic comedy, Deadpool 2 (2018) instead serves itself up as a ‘family’ film. Provided your idea of a Friday night kid-flick includes characters dropping the c-bomb, action sequences with severed body parts and multiple, tragic on-screen deaths. To be fair, it’s quite heart-warming too, as our anti-hero Wade Wilson is forced to come to terms with a personal tragedy. After wallowing in self-pity (and indulging in some of the coke he had previously hidden around Blind Al’s place), the Merc with the Mouth is hoping to get out of the game, and life, completely. Cue everyone’s favourite silver giant Colossus, waiting in the wings to convince our protagonist he could be a useful (trainee) member of the X-Men. And when a young mutant with pyrotechnic abilities gets a bit out of control it’s the perfect opportunity for Deadpool to try his hand being a good guy. As you’d expect things don’t quite go to plan, with Josh Brolin’s Cable entering the scene and the rest of the narrative including jail-breaks, truck-convoy chases and even a bit of time travel.
Amid the ‘lazy-writing’ of what is a largely predictive plotline, we are also introduced to the looming X-Force, a bunch of new characters tipped to take over from Deadpool in Sony’s superhero future. Just hold off on getting too attached though, it is still Deadpool’s movie and I wasn’t joking – the body count here is huge. Among the standouts is Domino, whose abilities revolve around being lucky. Think Final Destination (2000) style stuff but in a good way – like a handy get out of death free card. Everyone’s average dad Peter, who became a fan favourite from his appearance in the trailers, also gets his moment to shine despite having no superpowers whatsoever, proving that Deadpool 2 (2018) really does just play by its own rules. Oh, and Negasonic Teenage Warhead is as awesome as ever, generating atomic blasts and finding her first love. As is the wildly imaginative and glorious soundtrack including Celine Dion, Cher and Dolly Parton.
The humour is strong with the sequel, tapping into the meta and finding fresh ways to reinvent what made the first film so entertaining. But don’t be fooled – writers Rhett Reese, Paul Wernick and Ryan Reynolds know their niche and play hard to it. It’s a shame too, because despite the sarcastic comedy and laugh-out-loud lines littered throughout, it constantly feels like they are playing it safe (the one exception being an early scene that sets the tone for the flick). Deadpool 2 (2018) is still a superhero showdown and one that perhaps requires more homework than all the others combined, with quips about parents named Martha and mutant related cameos that only those with a litany of prior knowledge could get. Then again, like the MCU, audiences know going in that this isn’t a standalone piece, so brush up or suck it up. Creating depth past the jokes is something the film strangely succeeds in too though, placing the emphasis on heart as much as humour. Overwhelmed by grief, Deadpool is no mere one-directional character, and neither are his foes and friends.
Reynolds, in a role he was clearly born to play, relishes his return to the title character, zinging one-liners left, right and centre. But under the suit there is a vulnerability that’s a step-up from the last film, with the audience never truly certain of his intentions. Meanwhile, scene-stealers Karan Soni and Leslie Uggams, who play Dopinder and Blind Al respectively, are given meatier roles here, gloriously holding their own against ‘God’s perfect idiot’. The same goes for new additions Zazie Beetz as lucky-lady Domino and Julian Dennison as Russell a.k.a. Firefist, who add flair and fun to the controlled chaos. As for Cable himself, Brolin appears much more relaxed and energised here than his recent turn as Thanos in Marvel’s other cinematic universe, something the Merc with a Mouth is happy to remind us of. And thankfully he is given a deeper backstory (or perhaps, just a more redeemable one), not quite villain or hero, but sitting comfortably in the middle alongside Deadpool. It’s a relief to see characters that aren’t perfect and are just happy to be along for the ride, however cliched it can get at times.
Like all good superhero films though, you must wait until the end for the most important moments. And here, that also mean the funniest, with the after-credits scenes tackling Reynolds own history of bad decisions – ala Green Lantern (2011) and X-Men Origins: Wolverine (2009). And for a film featuring the most outrageous Basic Instinct (1992) reference ever that’s saying something. Ultimately, if you are up for an entertaining, self-aware, comical and yet excruciatingly violent movie then you will probably walk away with a smile on your face. If not, you need to ask yourself why you are watching this film in the first place? As for future instalments, there’s certainly plenty of potential and more than a little ‘foreshadowing’ going on to make us think Deadpool: The Franchise may never really die, just like it’s hero.
Rating: 4 moments out of 5 (to be a superhero)
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