Finding Dory Review - Disney and Pixar deliver a fun fishy sequel, which just keeps swimming right into our hearts
Nineties kids are a bit judgemental when it comes to Disney films. After all, we were the generation that lived through iconic classics Aladdin (1991), Beauty and the Beast (1992), The Lion King (1994), and Mulan (1998). So when it came time to make a sequel to our beloved Finding Nemo (2003) almost fourteen years after the aquatic crew first swam into theatres and our hearts, many a flag was flown about the potential problems that could ensue. However, those eagerly awaiting Finding Dory (2016) can finally breathe a sigh of relief, because despite our worst fears of another disappointment when it comes to Disney Pixar’s precocious sequels, this time round the studio manages to deliver a fun, fresh and fantastic fishy film.
The piece kicks off with the most heart-breaking sequence since 2009’s Up, teasing Dory’s beginnings in the Jewel of Morro Bay, California. The adorable young Blue Tang is being taught by parents Charlie and Jenny about how to deal with her disability, before an accident sees her lost and alone in the big wide blue. From this flashback we come full circle as Dory grows up, gradually forgets them, and meets Marlin one his way to find his son. Skipping ahead one year, Nemo is back in his anemone home safe and sound as Dad Marlin and best-friend Dory settle into life as usual. That is, until the stingray migration hits town, reminding Dory that her new family might not be her only one. The intrepid trio soon set off in search of her long lost (and long forgotten) parents, winding up at the Marine Institute of California. But with challenge after challenge and no parents to be found, Dory has to dig deep and remember that there really is no place like home.
Finding Dory certainly swims familiar waters, playing out as the reversed narrative of the first film, whereby the lost child seeks out the devastated parents. Sadly, the picture is relentless in its desire to pull on the heartstrings and elicit emotion. Instead of sadness, we receive loneliness, and instead of courage we receive fear. While co-directors Andrew Stanton and Angus MacLane smartly tap into these feelings, tearing our hero down only to build her back up again, it just doesn’t have the same ease or endearing quality it did the first time round. Similarly, there is a distance form the first film, with only a handful of returning characters like Mr Ray, Squirt and Crush, who receive far too brief a moment in the spotlight to actually shine. One of the other let downs is the increased reliance on bigger and bolder actions. While it is feasible that a bunch of fish can roll their way to freedom in baggies, it is not quite as believable when a septopus steal a delivery truck and drives it off a cliff.
The newcomers make up plenty of ground though, proving fantastic additions to the elaborate undersea world. Ed O’Neill’s Hank is the breakout hit, as a hilariously cantankerous septopus so hell-bent on living in his own little bubble that he forgot how to have a family. Similarly, Bailey the Beluga and Destiny the Whale Shark are both wonderfully constructed, with humour and heart aplenty. Idris Elba’s Fluke and Dominic West’s Rudder might skew the storyline but they also steal the show, thanks to their brash humour and interactions with silent stars Becky the Loon and Gerald the Sea Lion. What is great about them though is the part they play in helping the film tackle a sensitive subject – that of disability. Not only is there Dory’s iconic short-term memory loss, and Nemo’s bad fin, but this time around we have the disfigured and dumb sub-characters; Becky the literal loon, Gerald the sea lion who never speaks a word, Hank the seven-armed octopus, and of course the pair of sight and sound challenged whales.
So, while at times the film feels as lost as the titular blue tang herself, flitting from one moment to the next, when control is exercised we can truly see why Pixar are a step above the rest. Great care has been taken, for instance, to make sure the Californian water appears notably different from the bright blues and crystal clear imagery we are used to. Similarly, as we delve underneath the surface of the Kid Zone pool we see a war like battle ground erupt, as fishy friends thrash for cover and hands reach down to touch, poke and grab. Just as fish are friends, not food, in Finding Nemo, this surreptitious sequel reminds us they are not cute and cuddly pets either, and should not be treated as such by parents letting children run amok.
Lessons are, of course, the heart and soul of film. From teaching us that even those with disabilities can live life to the fullest, to reminding us we can always find our way back home. However, the most endearing message the film promotes is the idea that it’s okay not to plan your life out. It’s okay to forget things, find a new family in your endeavours, and just go with the flow. For a child struggling to figure out what they want to do with life (or even us nineties kids), nothing could hit home more. So, just like the titular character herself remarks, remember to just keep swimming.
Rating: 4 Fishy Friends out of 5
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