Guardians of the Galaxy Vol. 2 Review - Where a twig saves the day and the Guardians finally find family
When Guardians of the Galaxy (2014) debuted three years ago it was Marvel’s biggest gamble to date. Assembling a rag-tag team of misfits may have worked for The Avengers (2012), but the studio had six solo films to get to that point. And convincing people that an anthropomorphic raccoon, green ninja woman, scarred alien, self-confessed ‘Star-Lord’ and sentient tree would make the ideal protagonists, was another thing entirely. But convince they did, as then relatively unknown director James Gunn wowed viewers and critics alike with his incredible style and outstanding eighties soundtrack. Offbeat, funny and fresh, the movie surprised all who watched it, resulting in almost universal praise. But it did leave a real dilemma. How does one follows up a film that good? How do you create a sequel that outdoes the best? Well, the simple answer is you don’t. Instead you focus on making a movie that is exciting, humorous and just damn cute. You focus on doing well, instead of constantly trying to one-up yourself. And that’s exactly what Guardians of the Galaxy Vol. 2 (2017) delivers.
The film follows a pretty straight-up storyline, whereby Peter finally discovers his origins and realises family doesn’t finish with blood. Since saving the galaxy the group have been settling into their role as protectors, with their latest venture taking them to the Sovereign’s home world to guard their batteries. But when one of the clan live up to their roguish background, golden ruler Ayesha sends her forces after them, driving the group to crash land on a foreign world. Saved by the mysterious Ego, Quill learns that the aptly-titled figure is his father and agrees to go to visit his planet alongside Drax and Gamora to discover more. Meanwhile, Yondu finds himself getting a bigger side-plot this time around, after being exiled by the ravaging community, caught up in a mutiny, and working with Rocket and Groot to try and right his wrongs. And then there comes the third act set piece, full of explosions, heart, cool cameos and enough guitar chords to keep fans happy.
But before delving into the nitty gritty technical elements, one thing I must do is take a moment to acknowledge the incredible opening sequence of the film. Without giving too much away, the equal parts cute and action-fuelled moment is perhaps the best introduction in Marvel filmic history. Not only does it give us the first look at the adorable Baby Groot and his fondness for dancing, but it proves why fight scenes become something else in Gunn’s hands. Slow-motion shots, sounds from Electric Light Orchestra and all filmed from the smallest team member’s point of view. It’s a lot, an overwhelming array of a scene that makes you wonder if your brain will be able to handle the next two hours. But it’s the kind of intense, colourful and enjoyable moment that makes Guardians stand apart from a crowd. And visually, the rest of the film delivers the same dynamic, as every tint and tone pops off the screen like a kaleidoscope of colour. Forget the stone wash of Captain America: The Winter Soldier (2014), or the sombre hues of Avengers: Age of Ultron (2015). Guardians is about the fun and what’s more fun than bringing things back to a classic comic book-style?
As far as the jokes go, for the most part they fall on Dave Bautista’s Drax and Bradley Cooper’s Rocket, who channel the sarcasm and sass with ease. Pom Klementieff’s newcomer Mantis also steps in for support, with Gunn using her innocence as a fantastic front for humour. Sadly, while most of the jokes stick their landing a lot manage to mess up in the process. The toilet humour is strong in this sequel and will leave you wondering why the film felt it had to sink so low. Similarly, a long-running gag about a ravager named Taserface lasts a little too long and falls a little too flat for diehard fans. But the pop culture references are what have always won over viewers and there’s plenty to go around, from Knight Rider moments to mentions of Mary Poppins. And with young Groot learning his way in the new world, there’s just as many ‘awww’ instances as there our laugh out loud moments. Peter’s story may be the heart of the flick, but the young sapling’s is undoubtedly its spirit. I mean, come on, we’d pay the ticket price just to watch two hours of him sitting around, he’s that damn adorable.
Interestingly while Groot’s representation has been stepped up in this flick, perhaps the producers were leaning a little too hard on it. Because while Chris Pratt delivered one of the best Marvel representations in the first film, here he has been reduced to little more than a chess piece in a bigger game, torn between two fathers and two families. It’s every bit the cliché you think it is and leaves him faltering throughout a large part of the film. Thankfully he regains his star status by the final showdown, and it’s almost entirely thanks to Michael Rooker’s surprisingly earnest performance. If anyone deserves praise for the film, it is him. Zoe Saldana, Dave Bautista and Karen Gillan all put on a solid show, while Vin Diesel and Bradley Cooper again provide fantastic voiceover work. The real drawback though is Kurt Russell’s Ego. Perhaps the character brief was simply one-dimensional, or maybe he felt the need to draw too much on the stereotyped villains of old, but all it adds up to is the weakest link in the chain.
I expected a lot of things from Guardians of the Galaxy Vol. 2 going in. And perhaps that’s why I left a little less fulfilled and a lot more disappointed than I was after round one. But that’s my fault and not something I can lump on the film. Critics are, after all, known to become jaded every now and then. But there’s a lot of heart in the second instalment and its powerful focus on family is hard to ignore, especially as we make our way towards the Phase three climax that is Avengers: Infinity War (2018). The series is more personal, more poignant and more imperative than ever. So, it’s important to have some good old fashioned fun before we get there. Guardians style.
Rating: 4 Baby Groots out of 5
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