Inside Out Review - Disney Pixar craft a wondrous world of mixed emotions in this stunning animation
After watching the beautiful short, Lava (2015), the type which always precedes any feature length Pixar piece, one could be fooled into thinking that the cinema experience couldn’t get any more heartfelt or poignant. It does. Welcome to the beautiful, transcendent and touching experience that is the world of Inside Out (2015).
The film takes us on a 90 minute journey traversing the inner workings of Riley (Kaitlyn Dias) - our young protagonist’s - brain and psyche, notably how her central emotions; Joy (Amy Poehler), Sadness (Phyllis Smith), Disgust (Mindy Kaling), Anger (Lewis Black), and Fear (Bill Hader), impact how she lives and remembers moments of her life. From her first instants as a newborn baby, to her passion for hockey, and her loving family, Riley's life has mostly been a joyous one. All five of her glowing yellow core memories reflect this. But as she verges on the last days of true childhood, her family decides to pack up and move to San Francisco from their home in Minnesota, leading to a conflict between her emotions on how best to handle the situation. As she struggles to find herself in a new city, school and home, her first sad core memory develops, and inside the Headquarters that are her brain, the ensuing scuffle to fix this sends both Joy and Sadness out into the depths of her Long Term memory. As things go awry in Riley’s real-life, so to do things begin falling apart inside her head, memories begin turning blue as Sadness touches them, and the islands that define aspects of her personality begin to crumble. If Riley is ever going to be Riley again, Joy and Sadness need to find their way back and remind her who she really is.
Firstly, the film is filled with countless inside nods to how our brains work, but are simplified exquisitely for the young audience. The emotions themselves are representative, each a different colour, and charged with a different role. Whilst you could expect Fear or Disgust to be mainly negative emotions, they instead play a crucial role in keeping Riley safe. Outside of these portrayals however, there is also a stunning use of common ideas we often overlook. There is a literal ‘train of thought’, a brain freeze, the easy ability to confuse facts with opinion, Déjà vu, long-lost imaginary friends, a gated subconscious, the Dream Production Studios (which make features such as ‘I Can Fly’, and stars actors such as Rainbow Sparkle Unicorn), and Déjà vu. Whilst some of these aspects will surely go over children’s heads, the stuff that does sink in makes for an important educational tool.
To lighten the mood, sprinkled generously amongst the film and its gloomier moments is a humour that delights both old and young. We finally receive an understanding of why annoying commercial jingles play on repeat in our heads, by way of memory sifters who take pleasure in continuously throwing the recollection to headquarters. Or why we only ever remember ‘chopsticks’ out of four years of piano lessons. But better than that, we get an observant and hilarious look into the minds and emotions of other characters, such as Riley’s Mum and Dad. This happens by way of an elaborate scene placed almost half-way through the film which, arguably, is a point that makes the movie. When her mum asks her how her day has been, and she receives an unhappy response, she cues Riley's father to talk to her. Snap into Dad’s brain, and all his emotions are too busy reminiscing on a sport game, that he doesn’t quite grasp the question; “Is it Tuesday? Did we forget to put the bins out again? Oh no, did we put the toilet seat down?” The scene plays out as a gorgeous interaction of the varying ways people think, jumping back and forth between Mum, Dad and Riley’s brains, and utilising fantastic writing to make lines such as “was that sass?” and “the foot is down” so noteworthy.
Inside Out is a film rich in its expression and understanding of things. Down to the rather nuanced DNA-structured ladders used to reach the long term memories, and the synapse structure of the brain's headquarters, the film is constantly endeavouring to teach kids things without them realising it. For those that say the messages and education the film provides is too complex, and may go over the heads of the young intended audience, such critics are not giving enough credit to the subliminal and subconscious power our brains have, something the film impressively conveys.
Above all, Inside Out is Pixar returning to its best, reaching both children and adults alike with its wonderfully fashioned, thought-provoking, and utterly heart-wrenching tale. Whilst Pete Docter’s story and direction is a straightforward one, it is a surprise that the message and theme has not been tackled before. When depression and other changes in emotions are often disregarded or demeaned in conversation, it’s a refreshing change to see someone finally discussing them. Its triumph therefore lies in convincing kids that it’s not about trying to joyous all the time, but rather, how important it is to strike a balance. How, in the end, it is okay to have mixed emotions about life.
Rating: 4.5 emotions out of 5
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